Demo

Framing Myths Explained - Tapes and Hinges

Most framers see artwork on a regular basis that has been incorrectly mounted, or which is supported by hinges made from inappropriate tape. At Conservation Level there is NO suitable pressure sensitive tape, these tapes will fail over time leaving sticky residue, which is very hard to remove. If tape is applied incorrectly, the artwork will be put under strain which can weaken it and result in tearing. So framers have a responsibility to use the correct method of hinging and the right tape for the job. 

This article explains how tapes should be applied correctly and suggests a number of different methods of applying hinges.

To read the full article click here
shadow-float-mount-combo

Continue Reading

Framing Myths Explained - Mountboard

When you first step into the framing world you hear numerous terms and phrases being banded around; their meanings are often a complete mystery and are not fully explained in any ‘glossary of terms.’ Perhaps it is a fear of being seen as uneducated that stops us asking our mentors questions such as, ‘What is Lignin?’ and ‘Blue Wool Scale – something to do with sheep?’

But this is not just a beginner’s problem. Often experienced framers are heard discussing framing issues, either amongst themselves or through online forums, and it is evident that they have either misunderstood the explanation of a term or they have not learnt its full meaning. 

To read the full article click here
blue-sheep

Continue Reading

Enemies of Artwork

Framers are normally aware or have an idea of the enemies of artwork as they listed in books and documents that one may have at some time read; but are we aware of their significance and how detrimental they are to artwork. When I first started framing there was enough to remember and try to master other than worry or research the said enemies as there was no one reference to make this task reasonably simple. I hope this article will help as it is my intention to explain them as simple as possible.

To read the full article click here
mould-hyphae

Continue Reading

Juggling Time - Applique

I first met Anne at an exhibition of work in the Usher Gallery Lincoln in 2007; in addition, to Juggling Time I also have some of her work following the Time Traveller series.

Since the conception of my business Harlequin Frames I have had a Harlequin as my logo and, as a textile specialist, when I came across Anne’s work I decided she was just the person to transfer my logo into textile artwork. Using recycled materials wherever possible her textile pictures are made entirely by hand using a combination of felts, fabrics, paints, stitches and applied objects.

We called the appliqué "Juggling Time" to follow the theme of the Time Travellers but also as everyone juggles time, in some way or other, throughout their lives.

 

To read the full article click here
framed-harlequin

Continue Reading

More Articles...